Some of the standout sounds come from the synth section, powered by Roland’s ZEN-Core engine that you can find in flagship models. It’s not just about the piano sounds, the RD-88 has over 3000 tones in total. Roland’s SuperNATURAL engine produces some outstanding electric piano voices, too, which work fantastic with the built-in effects. When you add in the sympathetic resonance that we mentioned above, you end up with a very realistic sound. The SuperNATURAL piano sounds have been revamped for the RD-88, so they are better than ever. We have said this in countless reviews, but Roland’s SuperNATURAL sound engine delivers some of the most authentic piano sounds you will find. Sound quality 4.7Īt the core of the RD-88 is Roland’s SuperNATURAL pianos. It removes the need for external amplification. But, even if you never/rarely use them on stage, they are great for practice. Built-in speakersīuilt-in speakers aren’t something that everyone thinks about when buying a stage piano. So, you’ll likely be using a dynamic mic unless you add an external preamp or DI box. It’s a 1/4″ input with a built-in preamp, but there is no phantom power. Especially with the built-in speakers, it’s ideal for practicing your set at home. Microphone inputĪ microphone input is a really nice addition for any singer-songwriters. The RD-88 is a very tactile keyboard, but the small LCD screen makes the very limited menu-diving easy.
We want to mention the screen because it does just enough to keep you on the right track. If you take the time to set up the RD-88 with your DAW, you can get pretty extensive hands-on control over important parameters. The RD-88 is a fantastic master keyboard for your DAW with a decent range of assignable controls. It might even be better than the flagship RD-2000 in that department. With the reverb down, the RD-88 has a very authentic decay, especially at the high-end. Sympathetic resonanceĪny good keyboard piano will try its best to sound and feel realistic, and that includes recreating mechanical noise and the natural resonance of an acoustic piano. So, you could have some chorus on an electric piano sound, some chorus on a synth bass patch, and a little reverb on your lead sound.ĮQ and Tone Color are also offered per zone.Īs well as the effects being available per zone, 90 multi-effects types are also available per scene.Īs a live performance instrument, it’s tailor-made to give you complete control over your sound. That means the effects used in each zone are entirely independent of each other. Zone multi-effects and scene multi-effectsĪ total of 90 effect types are available to each of the three keyboard zones that we just mentioned. With space for up to 400 scenes, the RD-88 allows you to scroll through them or select your favorites. When you create a sound/patch by layering sounds or splitting sounds across the keyboard, you can then save it as a scene.
The RD-2000 offers eight keyboard zones, but three is pretty awesome for the RD-88.
Apple mainstage review Patch#
That could save you using another keyboard controller or changing the patch multiple times in one song.
Apple mainstage review software#
You can assign a combination of onboard sounds and software sounds across the three zones simultaneously. Apple MainStageĪpple MainStage, combined with three assignable keyboard zones, turns the RD-88 into a hardware/software hybrid powerhouse.
For many people, the RD-88 will be a more convenient alternative to something like the heavier RD-2000. Having a realistic feel and killer sounds is great, but when you have to carry a heavy stage piano from one gig to the next, it gets tiring quickly. We want to mention the compact design as a feature because it’s something that will appeal to a lot of players. One of the biggest selling points of the RD-88 is that it delivers a comprehensive feature set with very minimal fuss.
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